Miss Distrito Capital 

Mixed media installation: wearable sculptures and a three-channel video performance. 

2018.

Published in Boston University's feminist journal Hoochie Reader, issue 3 (2019), pages 54-59.

Through heavy wearable sculptures and the use of my own body in a performance for the camera, this work points to the explicit and implicit violence of the beauty pageant culture in Venezuela. Three steel crowns and sashes are worn in a video-performance, during which I stand in a small podium trying to balance the heavy and sharp objects.

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